Bay Area Axis Syllabus Exchange 2019
JUNE 19-27, 2019. Featuring Frey Faust, Francesca Pedulla, and Axis Syllabus Teacher Candidates.
@ The Finnish Hall, 1970 Chestnut St, Berkeley, CA 94702
Francesca Pedulla
ScheduleWednesday - Thursday, June 19-20
**Teacher Candidate Lab Classes** These 1-hour classes are $10 and open to the public. They give candidates an opportunity to practice teaching and receive feedback from multiple certified teachers as the candidates further their practice and work toward teacher certification. Wednesday, June 19, 10-11a: Sam Stone "Support the Masses" Thursday, June 20, 10-11a: Kerwin Barrington "Take a Big Breath" Thursday, June 20, 11:15a-12:15p: Emily Jones "Sensing in Spirals" Note: Candidate Lab Classes are included in the price of the "Full Event" ticket as well as for the "BAASE CO-LAB" participants (by invitation). For Lab Class Descriptions, scroll to the bottom of this page. Friday - Sunday, June 21-23 10a-1p: "Time Curves" with Francesca Pedulla 1-2:15p: Lunch 2:15-5:15p: "Triangulation" with Frey Faust Monday - Thursday, June 24-27 10a-12p: "Rooting" with Frey Faust 12-1:15p: Lunch 1:15-5:15p: "Tuning" with Frey Faust and Francesca Pedulla |
RegisterPlease select "Sending to a Friend" via PayPal and send payment to “AxisSyllabusCA@gmail.com”
PRICING
Full Event $475 6/21-23 Weekend $250 6/24-27 Mon-Thurs $350 Teacher or Teacher Candidate $350.00 |
Frey Faust is a dancer, teacher, choreographer, writer, and more. He founded the Axis Syllabus, wrote the Axis Syllabus book, and launched the Axis Syllabus International Research Network, among other endeavors.
Francesca Pedulla is a dance-maker, independent curator, and teacher of the Axis Syllabus and West African dance and culture.
The Axis Syllabus International Research Network is a collective of teachers, researchers, students, and other contributors whose work continues the development of the Axis Syllabus movement training lexicon and information database.
Workshop Descriptions
Triangulation: Natural Genius
Frey Faust
Nature's habit of using triangulated collagen fibers as the foundational building block for molecular construction is reflected in the macro-structures of the human body as well. Everywhere we look we see asymmetrical, torsional triangles, and the movements our joints and ligaments suggest are extensions of the paradigm. This observation provides the strongest argument for poly-axial motion as the basic diet for the training and preparation of anyone who plans to move.
In this session, I will share my perception and observation of this geometrical phenomenon in some anatomical structures, using anatomical images as my reference, and lead you in some direct applications of the observations for joyful moving.
Time Curves
Negotiations between internal and external rhythms – Collectivity
Francesca Pedullà
The alchemy between rhythm and the moving body played and plays a fundamental role for all human beings all over the world, channeling individual and collective dynamics. The intimacy with rhythm can assist in the gathering of skill and awareness, as well as engender and enhance creativity, suggesting accent, quality, muscular tone, acceleration/deceleration, delay and expressive articulation.
During the workshop we will use the anatomical and bio-mechanical tools offered by the Axis Syllabus as well as some basic rhythmical principles to find strategies to negotiate between our own inner rhythm and collective shared rhythms. We will work with both theoretical and practical stimuli, do and observe individual and group improvisations, and of course we will dance together!
Rooting into Past – Future
Frey Faust
The fact is, we string ideas and concepts along in a linear chain as we read or speak. This means that our understanding is shaped by an arbitrary hierarchy in the order of appearance, rather than what might be causal or pertinent to the quality or function of an action. This is true even when we describe events that are happening simultaneously. There are of course definite uses for this attribute, but it also imposes a fundamental, incontrovertible limit.
In this session I will introduce a basic working set from the symbolic language I have been developing over the past 20 years, the Human Movement Alphabet, which has evolved into an economical way to capture or express complex processes or simultaneous events in a single character. The HMA character or symbol represents a nexus point that allows me to consider multiple departure points for arriving there, and multiple destinations or outcomes. I have found the HMA to be useful in dissolving the arbitrary value-attribution problem inherent in the verbal languages. In this session, I would like to avoid using the spoken language as much as possible, instead relying on sign, symbol and gesture to convey, outline, evaluate, practice and invent.
Tuning: Relational Ecology
Exploratory platform for discovering adaptive strategies for relating
Frey Faust & Francesca Pedullà
The complexity of the body in motion and its sensitive, dynamic architecture provide a field of stimulating research that generates questions and insights. We explore:
How do we adapt to internal and external conditions?
How does individual morphology influence our experience?
How do we share the moment?
How do we share space?
How do we enjoy dancing for ourselves as we dance together?
Frey Faust
Nature's habit of using triangulated collagen fibers as the foundational building block for molecular construction is reflected in the macro-structures of the human body as well. Everywhere we look we see asymmetrical, torsional triangles, and the movements our joints and ligaments suggest are extensions of the paradigm. This observation provides the strongest argument for poly-axial motion as the basic diet for the training and preparation of anyone who plans to move.
In this session, I will share my perception and observation of this geometrical phenomenon in some anatomical structures, using anatomical images as my reference, and lead you in some direct applications of the observations for joyful moving.
Time Curves
Negotiations between internal and external rhythms – Collectivity
Francesca Pedullà
The alchemy between rhythm and the moving body played and plays a fundamental role for all human beings all over the world, channeling individual and collective dynamics. The intimacy with rhythm can assist in the gathering of skill and awareness, as well as engender and enhance creativity, suggesting accent, quality, muscular tone, acceleration/deceleration, delay and expressive articulation.
During the workshop we will use the anatomical and bio-mechanical tools offered by the Axis Syllabus as well as some basic rhythmical principles to find strategies to negotiate between our own inner rhythm and collective shared rhythms. We will work with both theoretical and practical stimuli, do and observe individual and group improvisations, and of course we will dance together!
Rooting into Past – Future
Frey Faust
The fact is, we string ideas and concepts along in a linear chain as we read or speak. This means that our understanding is shaped by an arbitrary hierarchy in the order of appearance, rather than what might be causal or pertinent to the quality or function of an action. This is true even when we describe events that are happening simultaneously. There are of course definite uses for this attribute, but it also imposes a fundamental, incontrovertible limit.
In this session I will introduce a basic working set from the symbolic language I have been developing over the past 20 years, the Human Movement Alphabet, which has evolved into an economical way to capture or express complex processes or simultaneous events in a single character. The HMA character or symbol represents a nexus point that allows me to consider multiple departure points for arriving there, and multiple destinations or outcomes. I have found the HMA to be useful in dissolving the arbitrary value-attribution problem inherent in the verbal languages. In this session, I would like to avoid using the spoken language as much as possible, instead relying on sign, symbol and gesture to convey, outline, evaluate, practice and invent.
Tuning: Relational Ecology
Exploratory platform for discovering adaptive strategies for relating
Frey Faust & Francesca Pedullà
The complexity of the body in motion and its sensitive, dynamic architecture provide a field of stimulating research that generates questions and insights. We explore:
How do we adapt to internal and external conditions?
How does individual morphology influence our experience?
How do we share the moment?
How do we share space?
How do we enjoy dancing for ourselves as we dance together?
Register
Please select "Sending to a Friend" via PayPal and send payment to “AxisSyllabusCA@gmail.com”
PRICING
Full Event $475
6/21-23 Weekend $250
6/24-27 Mon-Thurs $350
Teacher or Teacher Candidate $350.00
Full Event $475
6/21-23 Weekend $250
6/24-27 Mon-Thurs $350
Teacher or Teacher Candidate $350.00
Frey Faust & Francesca Pedulla
Teacher Candidate Lab Classes
"Support the Masses" with Sam Stone
Wednesday, June 19, 10-11a
Description: By sensing into the relationships between our core Motoric Masses, we will decipher placement of our appendicular supports (arms and legs) that promotes the distribution of stress, adaptability, and expansion of choice in dynamic movement.
Bio: Sam Stone is an Oakland-based dance performance artist, teacher, and community organizer. She has been studying the Axis Syllabus for the last 10 years, integrating it into her love of movement, philosophy and play. samstonedance.com
"Take a Big Breath" with Kerwin Barrington
Thursday, June 20, 10-11a
Description: In this class we will look at some anatomy and mechanics involved in taking a big breath. Can the elastic recoil and the cresting and falling of breath allow us to harness and recycle potential energy which then becomes kinetic energy? Together, we will let this investigation inform our movement practice.
Bio: Kerwin Barrington is a Canadian dance artist who works as a choreographer and teacher in her local rural community. She has been studying the Axis Syllabus and has been a part of their International Research Network for over 5 years, recently becoming a teacher candidate. She is interested in studying the richness of information inherent in the body as a way to connect to ourselves, take care of our body in motion and as artistic inspiration. She will be starting a masters program at l’Université du Québec à Montréal in the fall of 2019. @kerwinbarringtondance
"Sensing in Spirals" with Emily Jones
Thursday, June 20, 11:15a-12:15p
Description: In this class we will orient toward joints and connective tissues in the upper limb. Sensing into the communication between hands, wrists, elbows and shoulders we will find coordinations in congruence with our individual design. Bringing our arms into relationship with our axial body we will play with ways our arms can navigate us through space.
Bio: Emily Jones is a performing artist, movement educator, and bodyworker based in Portland, Oregon. Her somatic lineage includes western classical and contemporary dance forms, Pilates, and integrative bodywork. She has curiosity in a multiplicity of practices that engage body/minds in thinking, sensing, and engaging. She is deeply influenced as a teacher and mover by the Axis Syllabus. emilyannejones.com
"Support the Masses" with Sam Stone
Wednesday, June 19, 10-11a
Description: By sensing into the relationships between our core Motoric Masses, we will decipher placement of our appendicular supports (arms and legs) that promotes the distribution of stress, adaptability, and expansion of choice in dynamic movement.
Bio: Sam Stone is an Oakland-based dance performance artist, teacher, and community organizer. She has been studying the Axis Syllabus for the last 10 years, integrating it into her love of movement, philosophy and play. samstonedance.com
"Take a Big Breath" with Kerwin Barrington
Thursday, June 20, 10-11a
Description: In this class we will look at some anatomy and mechanics involved in taking a big breath. Can the elastic recoil and the cresting and falling of breath allow us to harness and recycle potential energy which then becomes kinetic energy? Together, we will let this investigation inform our movement practice.
Bio: Kerwin Barrington is a Canadian dance artist who works as a choreographer and teacher in her local rural community. She has been studying the Axis Syllabus and has been a part of their International Research Network for over 5 years, recently becoming a teacher candidate. She is interested in studying the richness of information inherent in the body as a way to connect to ourselves, take care of our body in motion and as artistic inspiration. She will be starting a masters program at l’Université du Québec à Montréal in the fall of 2019. @kerwinbarringtondance
"Sensing in Spirals" with Emily Jones
Thursday, June 20, 11:15a-12:15p
Description: In this class we will orient toward joints and connective tissues in the upper limb. Sensing into the communication between hands, wrists, elbows and shoulders we will find coordinations in congruence with our individual design. Bringing our arms into relationship with our axial body we will play with ways our arms can navigate us through space.
Bio: Emily Jones is a performing artist, movement educator, and bodyworker based in Portland, Oregon. Her somatic lineage includes western classical and contemporary dance forms, Pilates, and integrative bodywork. She has curiosity in a multiplicity of practices that engage body/minds in thinking, sensing, and engaging. She is deeply influenced as a teacher and mover by the Axis Syllabus. emilyannejones.com